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[personal profile] rhythmaning
I used to have my answerphone message suited to the season. At Christmas, it would play a rather cheesy Charlie Parker recording of “White Christmas”; spring would be Clifford Brown’s “Joy Spring”; then Basie’s version of “April in Paris”, and several month’s of the Miles Davis/Gil Evans’ “Summertime”.



And then, for a long, long while, it got stuck on “Autumn Leaves” – the Cannonball Adderley/Miles Davis version – the definitive arrangement.

Driving south along the A83 the other day, I was listening to Jazz Line-Up on the radio, and they played a beautiful vocal version of the tune. I hadn’t really listened to the words before – I don’t think I have the tune with vocals – and concentrating in the car, they struck me as rather beautiful, in an October, melancholic way:

The falling leaves drift by the window
The autumn leaves of red and gold
I see your lips, the summer kisses
The sun-burned hands I used to hold

Since you went away the days grow long
And soon I’ll hear old winters song
But I miss you most of all my darling
When autumn leaves start to fall


Along similar lines, I recently read the Time Traveller’s Wife – I’ll probably talk about that some other time – but it contained several lines of poetry I rather liked. I don’t read poetry – it doesn’t make sense to me – but I did like these lines:

The heart asks pleasure first
and then excuse from pain
- Emily Dickinson

Date: 2006-10-24 03:17 pm (UTC)
From: [identity profile] unblinkered.livejournal.com
I think that's precisely the reason that album was so good for me back then. Bit of a release when you're trying to be matter of fact and functional in the face of chaos!

Although I did take [profile] progmeister's advice on this and only bought the live album...he reckons the studio albums don't quite do her justice (and who am I to argue).

Also: comment notifications are borked again, I think. *sigh*

Date: 2006-10-24 05:44 pm (UTC)
From: [identity profile] psychochicken.livejournal.com
I find the studio albums (the ones I've heard anyway) to be a bit squeaky clean production wise. The live album has an edge to it - a vibe that's missing from a lot of live recordings, never mind studio ones. She sounds happy, and the whole band's evidently having a ball.

It's the only CD of her's I listen to.

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