rhythmaning (
rhythmaning) wrote2008-12-23 08:17 pm
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All that glistens isn't gold.
I went from the Gagosian to the British Museum. Mostly to look for presents in the shop, but I had a look around, of course. Prompted by
delilly I wanted to see the Rosetta stone, which I must have seen many times before.
I also looked at a dispersed exhibition called Statuephilia, featuring works by Antony Gormley, Marc Quinn, Damien Hirst, Ron Muerk and Tim Noble and Sue Webster.
The work by Quinn is a gold sculpture of Kate Moss, called Siren. I like some of Quinn’s work – I loved his statue of Alison Lipper which stood on the empty plinth in Trafalgar Square - but I didn’t like this piece at all. Why Moss? Because she was famous? Why gold? Did it matter? To me, no – but it was the only statue in a room of priceless Greek statues that was sealed away, presumably at the request of the museum’s insurers.
Frankly, it seemed a bit tacky to me: like showing off in gold.
The Damien Hirst consisted of painted skulls. I have no idea if the skulls were reall or not. It didn’t grab me at all – like much of Hirst’s work, I was left thinking “so what?”
It won’t surprise you at all that I loved the Gormley – a maquette of the Angel of the North called “Case for an Angel I”. This angel seemed to be female – I thought I saw a hint of breasts (I could be wrong – I thought Gormley based most of his work on his own body). The angel stands on a plinth in the main entrance, stretched out across the atrium. Wonderful. Really wonderful.
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I also looked at a dispersed exhibition called Statuephilia, featuring works by Antony Gormley, Marc Quinn, Damien Hirst, Ron Muerk and Tim Noble and Sue Webster.
The work by Quinn is a gold sculpture of Kate Moss, called Siren. I like some of Quinn’s work – I loved his statue of Alison Lipper which stood on the empty plinth in Trafalgar Square - but I didn’t like this piece at all. Why Moss? Because she was famous? Why gold? Did it matter? To me, no – but it was the only statue in a room of priceless Greek statues that was sealed away, presumably at the request of the museum’s insurers.
Frankly, it seemed a bit tacky to me: like showing off in gold.
The Damien Hirst consisted of painted skulls. I have no idea if the skulls were reall or not. It didn’t grab me at all – like much of Hirst’s work, I was left thinking “so what?”
It won’t surprise you at all that I loved the Gormley – a maquette of the Angel of the North called “Case for an Angel I”. This angel seemed to be female – I thought I saw a hint of breasts (I could be wrong – I thought Gormley based most of his work on his own body). The angel stands on a plinth in the main entrance, stretched out across the atrium. Wonderful. Really wonderful.
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I think she does a lot of yoga, but the pose did seem to me to be unnecessarily sexual (and someone has left a comment on flickr saying as much!).
I think it is probably meant to be a comment on celebrity - supermodel, worth her weight in gold - but I think a sculpture of someone else would actually have been more interesting!
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But agree that the one of the Angel is wonderful.
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Also, the sculpture was shown by permission of the sculptor - it is still in his collection.
But - well, I don't get it, either!